Jewellery brand of the month: Tangerine Menagerie

This brand is based in the US, a hugely popular brand with a large following:

TANGERINE MENAGERIE

Tangerine Menagerie was founded by designer Julia several years ago, focusing on retro-inspired brooches. She started out on Etsy before moving to her own website, and her brooches are among the most popular in the groups I belong to. They are pricier than most, but the workmanship and detail – every brooch is handmade and hand-painted by Julia herself – make the cost worth it.

These brooches are extremely difficult to get hold of, selling out within seconds of going on sale. To be successful you need to be on the website as soon as they are released – usually only one or two designs at a time are available. Alternatively, Julia runs a lottery offering people the opportunity to win a chance to buy a brooch – this is brilliant for people with slower Internet connections, or who can’t always get online at the time of release.

I personally own two Tangerine Menagerie brooches – a witch and an Alice book – both purchased before they became super popular. I’ve never tried to buy one since demand skyrocketed, but I will certainly give it a go in the future, if one of my wishlist items becomes available!

Top of the list is the Alice brooch. This has been through several different designs over the years and this is the most recent.

alice brooch

I also want this gorgeous Painted Rose Tree brooch, which continues the Wonderland theme. A Cheshire cat, a dodo and a white rabbit have also been available over the years.

painted rose tree brooch

Jane Eyre is my favourite novel, so this brooch is high on my wishlist.

jane eyre brooch

Birds and animals are popular choices for this brand; I particularly love this Chickadee brooch.

chickadee brooch

The Olivia Corsage brooch is a flower design, relatively unusual for this brand, but it’s beautiful.

olivia corsage brooch

Find Tangerine Menagerie via the following links:

Website: tangerinemenagerie.com

Instagram: instagram.com/tangerinemenagerie

Twitter: twitter.com/tangerinebrooch

Edward Burne-Jones: Pre-Raphaelite Visionary – Tate Britain

Burne-Jones poster

The exhibition Edward Burne-Jones: Pre-Raphaelite Visionary at Tate Britain looks at the career of Burne-Jones (1833-1898), taking a partly chronological and partly thematic approach to his life and work. There are sections on Burne-Jones as an apprentice and as a draughtsman, revealing another, humorous side to the artist. One room looks at the pictures Burne-Jones chose for exhibition, including some of his most famous works, such as King Cophetua and the Beggar Maid. Another explores the portraits he painted of family and friends, while one striking room displays his Briar Rose series of panels. Burne-Jones isn’t my favourite Pre-Raphaelite, but I enjoyed the exhibition.

Burne-Jones artwork

Anglo-Saxon Kingdoms: Art, Word, War – British Library

Entrance to the exhibition

Anglo-Saxon Kingdoms: Art, Word, War is an exhibition at the British Library that I knew I definitely wanted to see. Though the Anglo-Saxon era is not my favourite, I did study history for my degree and to some extent all periods of history are interesting to me.

Anglo-Saxon settlers from northern Europe came to Britain in the 5th century, eventually forming several kingdoms that would one day become England. The exhibition brings together manuscripts and artefacts that help to illuminate this exciting period of history.

The exhibition has some amazing treasures on display, including Bede’s Ecclesiastical History of the English People, the Domesday Book, and artefacts from the Sutton Hoo burial ground. It takes a broadly chronological approach, looking at how the Anglo-Saxon kingdoms developed from the first arrival of the Angles, Saxons and Jutes to the Norman Conquest.

The Anglo-Saxon era was not static; different kingdoms gained and lost power over the centuries. Early in the era, the kingdom of Northumbria was in the ascendant, while later on, Mercia became the most powerful. By the tenth century, King Aethelstan was exercising power over most of what is now England and south-east Scotland.

The exhibition emphasises the multicultural links of the Anglo-Saxon world, with connections to Ireland and mainland Europe, and its literary, artistic and scientific developments. It is a fascinating exhibition, showing that even a world over 1,000 years old can still be relevant to ours.

I am Ashurbanipal: king of the world, king of Assyria – British Museum

Entrance to the exhibition

One of my first exhibitions of the year was the dramatically-titled I am Ashurbanipal: king of the world, king of Assyria at the British Museum. Before visiting, I knew nothing about this Assyrian king, and my knowledge of Assyria was limited to that Byron poem. This exhibition was an eye-opener.
Assyria was the dominant power of the Middle East from approximately 900 to 612 BC. The exhibition covers this period of time, focusing on the empire’s peak when Ashurbanipal ruled.

The most fascinating part of the exhibition was the art: the friezes carved on walls depicting Assyrian conquests and disturbing tortures. The exhibition cleverly uses technology to describe and explain these carvings, which are fascinating and shine a light on this particularly violent society.
Another interesting aspect of the exhibition was its focus on the bureaucracy of Assyria: rules, regulations and plans helped its rulers to conquer.

Ashurbanipal himself was both a warrior and a master administrator. He and his family fought lions to prove their strength; the images of lions in the exhibition are particularly well-drawn. Assyrian society relied heavily on writing to organise and manage, using cuneiform, the world’s oldest form of writing.

Eventually, after Ashurbanipal’s death, his empire collapsed, culminating in the burning of Nineveh in 612 BC. His great library was destroyed, but, consisting of clay tablets which harden in the heat, its contents survived. These include the text of the Epic of Gilgamesh, the best-preserved copy of that masterpiece, and still a basis for modern translations.

Assyrian society, surprisingly modern in both its brutality and its bureaucracy, is a fascinating subject for an exhibition. Sadly, the remains of Nineveh, former capital of the empire, located on the outskirts of Mosul in Iraq, were attacked by Islamic State a few years ago. I was pleased to see Iraqi experts and staff of the British Museum working together to repair and restore the ruins.