Jewellery brand of the month: Curiology

This month’s brand is the UK-based:


Curiology, established in 2010, focuses on Gothic and spooky jewellery made from a variety of materials: plastic, wood, paper and metal. There is a monthly Coven Club with new designs, and regular limited editions alongside the standard range.

The Cemetery Necklace is a staple of mine.

Cemetery Necklace

The Cathedral statement necklace is dramatic and detailed.

Cathedral statement necklace

The Dearly Departed necklace is made from layered acrylic.

These Edgar Allan Poe cameo earrings are perfect for fans of Gothic literature.

Edgar Allan Poe cameo earrings

This beautiful ‘It’s Only Forever’ sterling silver owl necklace is inspired by Labyrinth.

It's Only Forever owl necklace

Find Curiology at the following locations:





The Old Savoy – The home of The Deco Theatre, Northampton (Heritage Open Days)

The Savoy
The Savoy in its heyday

I had been planning to make a visit to Northampton for two reasons: one to see a friend, and two to see a play. When I realised that my visit would coincide with the annual Heritage Open Days, I decided to make the most of my day and look for a venue to visit.

I decided on the Deco Theatre, which is located on Abington Square. Built in 1935-36, it was designed by William Riddell Glenn (1884-1950). It opened as The Savoy on 2 May 1936, as a cinema with an Art Deco auditorium, and originally seated nearly 2,000 people, with an in-house Compton organ which entertained audience during the interludes.

The auditorium
The auditorium today

The cinema closed in 1995, struggling to compete with multiplex cinemas, and was bought by the Jesus Army Charitable Trust (who still use part of the building as the Jesus Centre) in 2000. The Deco (not connected with the Jesus Centre) opened as a local theatre in 2004. Stage Right began running The Deco in 2009, and have gone from strength to strength. Plans are afoot to transform the entrance area and the front of the theatre, removing the cross and replacing it with new signage.

Sign reading 'To Balcony'
Art Deco-style sign in the foyer

Even though I’m not from the area I always enjoy visiting a theatre wherever I am. The Deco’s history is not uncommon, but still fascinating, and the efforts of those who work there to maintain it as a venue are admirable. I wish the theatre all the best for the future.

The Deco Theatre
The Deco Theatre today

Jewellery brand of the month: Painfully Pretty

The next brand I want to talk about is the Australia-based:


Painfully Pretty creates beautiful acrylic jewellery themed around mental health and chronic illness. They also offer accessible jewellery options, such as magnetic clasps for necklaces.

The red cameo brooch is from the Melancholia collection. I have it in purple, but I also have my eye on this red version. John Keats’ poem Ode to Melancholy is engraved round the edges.

cameo brooch

The Semicolon Parasol brooch is from the same collection. It is decorated with a semicolon, which has become a mental health-related symbol.

parasol brooch

The Blossoming brooch is inspired by the poetry of Emily Dickinson and is made up of three purple anemone flowers. It has a clasp on the back to thread a chain, so you can also wear it as a necklace!

blossoming brooch

The Flora Watch Dial brooch represents the ‘Radium Girls’, who worked in factories in the early 20th century and became victims of poisoning.

Flora watch dial brooch

The Corset brooch is another piece from the Melancholia collection. Inspired by Victorian corsets, it is engraved with the phrase “Laced by expectations”.

corset brooch

Find Painfully Pretty at the following locations:





Top Secret: From Ciphers To Cyber Security – Science Museum

I visited the new Top Secret: From Ciphers To Cyber Security exhibition at the Science Museum with a friend. The exhibition was free, which I thought was really impressive, and very enjoyable.

The exhibition was designed to coincide with the 100th anniversary of GCHQ, the UK’s Intelligence, Security and Cyber agency. There was even a Lego model of the GCHQ headquarters in Cheltenham.

Lego model
Lego model of GCHQ headquarters

The exhibition started with the First World War and explored how communications and intelligence developed over a century. It featured artefacts, documents and declassified files.

The best-known aspect of the exhibition was probably the work of Alan Turing and the team at Bletchley Park to crack the Enigma Code, but there was also information relating to the Cold War, including a model of a house displaying a story about a quiet suburban couple who turned out to be Soviet spies.

There was also a hands-on area where you could have a go at cracking codes yourself, which was probably designed for children but which my friend and I thoroughly enjoyed.

The exhibition runs until 23 February 2020 and is then due to visit the Science and Industry Museum in Manchester. It’s well worth a visit.

Jewellery brand of the month: Designosaur

The next brand I’d like to talk about is:


Designosaur is based in Brighton, and makes jewellery and other fun items inspired by dinosaurs and other fun concepts. The company is run by designers Jacques Keogh and Karli Dendy, and has been in existence since 2012.

George the Chameleon was a joint venture by Designosaur and fellow Brighton brand Hello Dodo. I love him because he goes with everything!

George the chameleon necklace

I have one of these dino charm necklaces, and I love it. They are available in several colours.

Dinosaur charm necklace

Recently the brand released a range of dino-themed zodiac jewellery. The dino for Cancer is the ankylosaurus.

Ankylosaurus necklace

It’s not just dinos: this sabre tooth tiger necklace is on my list, mainly because it was the chosen symbol of my favourite Power Ranger.

Sabre tooth tiger necklace

I also love this wooden dodo brooch.

Dodo brooch

Find Designosaur at the following locations:





90s Kids’ Shows – BFI Southbank

Screenshot of Maid Marian and Her Merry Men

I visited the BFI Southbank to attend a panel discussion about 90s Kids’ TV shows. This is exactly my era so I was incredibly excited.

First of all we were treated to a montage of TV shows including Chucklevision, The Queen’s Nose, Art Attack, Power Rangers, Clarissa Explains It All, and many many more, including shows I know and those I wasn’t familiar with. Afterwards, there was a panel discussion featuring actor and writer Sir Tony Robinson, performer Francis Wright, and producer Catherine Robins.

Naturally enough, the discussion focused on the shows that the panel members were involved in. This began with Maid Marian and Her Merry Men (my personal favourite), and it was interesting to hear Sir Tony’s stories and anecdotes about the production of the series. I was particularly excited when Marian and Robin from the series, Kate Lonergan and Adam Morris, made an appearance and came up to the front to talk about their experiences. Another show we heard about was Five Children and It, as Francis Wright was responsible for operating the puppet Psammead.

It was interesting that all three panellists seemed to think the 90s were something of a golden age in childrens’ television: I’ve always thought so but I lived through it, I wondered if it was just nostalgia, but apparently not. It seems officials were more willing to take risks back then, and to educate as well as entertain.

I left the event with my only regret being that I chickened out of asking Kate and Adam for a picture.

Edvard Munch: Love and Angst – British Museum

The Scream
The Scream (lithograph)

I visited the Edvard Munch: Love and Angst exhibition at the British Museum with a friend on its very last day. I actually knew nothing about Munch except for his painting The Scream, which I do love, so was interested to find out more.


Munch came from a loving family in Norway but over the years his family became a source of deep worry and tragedy to him. His mother died when he was five and his oldest sister, Sophie, died of tuberculosis when he was thirteen. Another sister, Laura, spent time in a psychiatric hospital with schizophrenia and Munch himself had a breakdown later in life. This is reflected in much of his art, including his ‘vampire’ works, his images of illness and death, and the famous ‘Scream’. It’s the black and white lithograph that’s on display here, not the famous painting, but it still makes an impact.

The Sick Child
The Sick Child

As a theatre fan. I was intrigued by Munch’s stage sets for the works of Norwegian dramatist Henrik Ibsen, and some of his designs are displayed alongside his painting of the great playwright himself. Overwhelmingly, though, this is an exhibition of work that focuses on the dark side of the mind.

Henrik Ibsen
Henrik Ibsen

Misshapes: The Making of Tatty Devine

Entrance to the exhibition

The UK jewellery brand Tatty Devine turns 20 this year, and to celebrate has launched a touring exhibition, Misshapes: The Making of Tatty Devine, which kicks off in London before visiting various cities around the UK. As a longtime fan of the brand, I paid a visit on its first day.

Early examples of TD's work

The free exhibition, hosted at the Lethaby Gallery, King’s Cross, tells the story of how Tatty Devine founders Rosie Wolfenden and Harriet Vine met at Chelsea College of Art and began to work together, making jewellery out of guitar plectrums, leather samples and other bits of so-called “junk”, running a market stall selling their wares, and eventually, after a trip to New York, settling on acrylic as their main material. With the aid of a laser cutter, they began making jewellery from this versatile substance, and over the years have refined their techniques, pushing the boundaries of what acrylic can do.

New examples of the brand's work

I was interested to see examples of the pair’s early work, as this was long before I became a fan of the brand. Some of the early pieces were pretty cool – I wouldn’t mind a keyboard belt. I also didn’t know that the Tatty Devine logo was supposed to resemble the logos in old-style 50s records.

Plan for the archway of stars in Greenwich

Examples of pieces from every stage of the brand’s heritage were on display. I did find myself with a big wave of Tatty regret as I viewed pieces that have long since vanished from stores (especially the fortune teller statement). However, I also saw a couple of pieces that I do own – one being the William Morris brooch.

I really loved the exhibition as a big fan of the brand. After its stint in London, it will visit various venues around the country – so keep an eye out!

Giant jewellery shapes

Mary Quant – V&A

Entrance to the exhibition

Mary Quant was the second major fashion exhibition I attended at the V&A within a fairly short space of time. Born in London, Quant revolutionised the British high street in the 1960s, making high fashion available to everyone and popularising the famous miniskirt. I have to admit that on a personal level, the clothes aren’t really my style – I prefer longer skirts and dresses in general, and the Dior-influenced vintage look is much more my scene. In fact, my favourite piece in the exhibition was a maxi dress from the Seventies. However, there’s no doubt that Quant’s clothes had a huge influence on style, and her practical, fun pieces helped to democratise fashion.

Quant sailor dress
Quant sailor dress
Mini dresses
Mini dresses

The exhibition takes us through Quant’s career and showcases the pieces that made her famous, including monochrome daisies, coloured opaques, practical underwear, and even modern makeup (I could tell from the style of the marketing that Lush was influenced by Quant’s makeup range). I really liked that the museum got the public involved, requesting people to send in their own Quant clothes. I went to the exhibition with my auntie and I enjoyed hearing about her own experience of the brand – wearing a minidress to meet her future in-laws and worrying that the skirt was too short!

Makeup range
Makeup range, decorated with the trademark daisy
Red maxi dress
My favourite piece from the exhibition

I thought it was cute, too, to showcase the mini, Barbie-style Quant dolls, dressed in miniature versions of popular fashions. A way to get younger girls interested in the clothes so that they could covet them for themselves when they were older.

Daisy doll
Daisy doll

Overall, the exhibition is definitely worth a visit – for the social history as much as the fashion.

Red Bull Soapbox Race 2019

Start of the race

The Red Bull Soapbox Race is held at Alexandra Palace in London every summer. After years of watching it on TV (races from around the world, not just London), I decided to go and see it for myself.

It’s a long walk from the station to Alexandra Palace, and it’s up a pretty big hill, too. (Naturally – they need a hill for the race). Not going to lie, I was shattered by the time I got to the top. It was a warm day, too, which didn’t help.

The judges

Refusing to descend the hill again until the end of the day, I made sure to hang about near the top of the course. Here, I could see the soapboxes begin their races, as well as take in the pre-race “show”. Soapboxes queued up here waiting their turn, so I was able to get a good look at them before they set off. My favourite was the Mr Bean-inspired soapbox, with one member of the crew dressed as his teddy.

Mr Bean's teddy

The one downside of attending the event in person is that you only get to see the soapboxes at one stage of their race, potentially missing out on spectacular crashes further down the line. There are a few video screens here and there, but you have to be in the right position to be able to view them. Still, you do get to experience the great atmosphere.