I had a bit of time left on Saturday morning and decided to pay a visit to the Saatchi Gallery, which is fairly close to Buckingham Palace. I’m not the greatest fan of modern art, and I must confess that one of the main reasons I went was so that I would have an excuse to tick Sloane Square station off my list.
Founded in 1985 by advertising behemoth Charles Saatchi in order to display his collection of contemporary art, the Gallery occupied several premises before finally settling in the Duke of York HQ building on King’s Road, Chelsea with an exhibition dedicated to new art from China. It has been there since 2008, and Saatchi gifted the Gallery and more than 200 works to the state in 2010. The Gallery aims “to provide an innovative forum for contemporary art”.
The Saatchi Gallery is pretty famous for holding regularly changing exhibitions of modern art, and the current exhibition is called Korean Eye 2012. Having been to Korea before, I was interested in seeing what Korean art was all about and this curiosity partially overcame my aversion to modern art, which I don’t understand and rarely like.
Many pieces displayed as part of the exhibition were odd to say the least. The first exhibits I came across were the apparent result of smashing up a pile of crockery and sticking it back together to produce something resembling a termite nest. A giant ball of wood dominated one room. I came across some pictures which appeared fairly normal until I walked past them and realised they were hologram pictures: the stylishly clad ladies viewing works of art miraculously appeared to shed their clothes when viewed from a different angle. This technique is undoubtedly clever, but also a bit voyeuristic.
Still, the display exceeded my expectations and I was genuinely impressed by some of the work. In one room I came across a round side table on which rested a cup of tea. Initially scornful, I peered at it more closely and observed a little whirlpool disturbing the surface of the tea. The exhibit was accurately titled ‘Storm in a Teacup’ and I really liked it, partly because I genuinely don’t know how the whirlpool got in there.
Another artist had produced models from cardboard, which were well designed and carefully put together, except for the fact that they were unfinished. A cardboard dog with perfectly constructed and finished hind legs and an abstract box-shaped head was particularly eerie. In another room, photographs of women posing in white dresses took on a life of their own with the addition of white fabric attached to the bottom of the frames, extending the dresses beyond the boundaries of the photographs and adding an extra dimension to the work.
In addition to the Korean art on show, there was an exhibition of chess sets, each the work of a different artist. There were some pretty unusual sets on display: I especially liked the ‘picnic’ set with slices of pizza as pawns. There was also a great set with one team made up of characters like Superman, WonderWoman and Jesus and the other consisting of such figures as Voldemort, Dracula and Saruman.
The Saatchi Gallery itself is well laid out with a clean white design and logically labelled exhibition rooms. It is free to enter and doesn’t have the pretentious atmosphere I had expected: there were all kinds of people there, including Korean (I presumed) holidaymakers and families with small children. I never thought I’d say this about a modern art gallery, but I actually quite enjoyed my visit, and I’d consider going back.
Address: Duke of York’s HQ, King’s Road, London, SW3 4RY
Opening Hours: 10am-6pm 7 days a week